Fontana: Complete Sonatas for Violin and B.C.

Η μόνη διαθέσιμη πλήρης ηχογράφηση μιας τεράστιας επιρροής σετ μπαρόκ τρίο σονάτες από έναν βορειοϊταλό πρωτοπόρο του είδους. Ασυναγώνιστος στο εύρος του, γνωστός για την αναβίωση αμέτρητων ονομάτων του παρελθόντος σε έγκυρες νέες ηχογραφήσεις, ο κατάλογος μπαρόκ μουσικής του Brilliant Classics καλωσορίζει ένα σημαντικό νέο όνομα στη μακρά λίστα ξεχασμένων συνθετών του: Giovanni Battista Fontana (1589–1630). Γεννημένος στη Μπρέσια, πεθαίνει στην κοντινή Πάντοβα, ο Fontana είναι γνωστός για μια μόνο σημαντική έκδοση, μια συλλογή 18 Sonate a 1, 2, 3 per il violino o cornetto, fagotto, chitarone, violoncino o simile altro instromento, που δημοσιεύτηκε μετά θάνατον στη Βενετία το 1641.

Composer: Giovanni Battista Fontana
Artists: Neyza Copa: violin & direction
Lux Terrae Baroque Ensemble



The Italian early-music Lux Terrae ensemble presents a new recording of the complete set, demonstrating its foundational significance within the rich history of the Italian trio sonata as a genre. As in the chiaroscuro technique in painting, that defines images through the play of of light and shade, Fontana uses a musical chiaroscuro that lends theatricality and dynamism to these sonatas through a dialectic of contrasts and resolutions between contrasting idioms.

All 18 sonatas follow a single-movement form, divded into contrasting sections. Their melodic material breathes the cantabile air of the 17th-century canzona or the dance and sometimes recurs, invariably elaborated, to form a simple arch design.
Sonatas Nos. 2 and 6, on the other hand, comprise sections that grow out of recitative-like monody interspersed with freer instrumental flourishes, but subdivisions in dance-like triple metre are rarely absent for long.

Lux Terrae is led from the violin by the Italian-trained Bolivian violinist Neyza Copa, who also introduces these Baroque rarities in a booklet essay. For her, Fontana’s sonatas shine as ‘a real jewel of the early Baroque, both in terms of the stylistic evolution of instrumental composition, and the development of an idiomatic language for the violin… Fontana is probably the most important composer of early Baroque violin music.’



Fontana’s only existing works are the collection of 18 sonatas, published in Venice in 1641. The sonatas are for violin and a rich basso continuo, existing of viola da gamba, cello, theorbo, dulcian, flute, harpsichord or organ. Fontana’s style tends to the unusual, to the surprise, using passages rich in fantasy, unexpected changes of “affetti” and sudden explosions of virtuosity after sections of meditative character. According to Willi Apel, “Fontana is probably the most important composer of early Baroque violin music, having mastered both the virtuoso and cantabile style of the violin”.


Tracklist:

Giovanni Battista Fontana:
00:00:00 Sonata prima, No. 1, IGF 2
00:04:48 Sonata seconda, No. 2, IGF 4
00:12:00 Sonata terza, No. 3, IGF 3
00:17:16 Sonata quarta, No. 4
00:23:05 Sonata quinta, No. 5
00:29:09 Sonata sesta, No. 6
00:36:00 Sonata decima, No. 10
00:43:12 Sonata nona, No. 9
00:49:41 Sonata duodecima, No. 12
00:56:02 Sonata ottava, No. 8
01:02:57 Sonata terzadecima, No. 13
01:09:00 Sonata quartadecima, No. 14
01:16:26 Sonata undecimal, No. 11
01:24:51 Sonata sestadecima, No. 16
01:30:28 Sonata decimasettima, No. 17
01:36:36 Sonata quintadecima, No. 15
01:41:28 Sonata settima, No. 7
01:48:43 Sonata decimaottava, No. 18