NO blues is the crossroad where folk-blues and Arabic music meet. In
2004 Ad van Meurs (guitar/ lead vocals), Haytham Safia (U'd, Arabic
lute/ lead vocals) and Anne-Maarten van Heuvelen (double bass/ lead
vocals) got together tocombine American folk blues and traditional
Arabic music. Both folk blues and the Arabic taqsim (the improvised
interplay without a fixed rhythm) are exceptionally suited for
storytelling; the former in a somewhat rawer way, the latter mostly
lyrical and melodic.
In the same way as Leadbelly and Woody Guthrie documented their era in
the early 20th century, the instrumentalist is the torchbearer of a
centuries-old tradition in the virtually unwritten Arabic music culture.
Traditional Arabic music differs from other music cultures in the way
in which the music scale is subdivided. Thus the music can adopt forms
that are nearly impossible in the western octave system.
The musicians soon succeeded in finding the crossroad where folk-blues
and Arabic music meet. A fusion of Americana and Arabic music, which
might best be portrayed as 'Arabicana'. Heartfelt music with songs about
'ordinary folks', love and grief, played and sung in a tradition that
is characteristic to both folk blues and Arabic music. Completing the
line-up on stage, NO Blues is joined by Ankie Keultjes (vocals) and
Osama Maleegi (percussion).
In only three days of playing together, the songs of the first CD
'Farewell Shalabiye' came into existence. The album was released by
Rounder Records in 2005 and became an instant success. NO Blues was
welcomed in the music scene with enthusiastic reviews on their debut and
the successful tour that followed. The band concluded the year with a
theatre tour accompanying modern dance company Galili Dance.
After selling the success of Farewell Shalabiye, the second album called
'Ya Dunya' was released in February 2007. During the recording of this
album, Tracy Bonham joined NO blues to record three songs. Tracy can be
heard in a duet with Anne-Maarten van Heuvelen on the single 'Black
Cadillac' and played violin on two other tracks on the album. Even
before the release date the album was voted 'Album of the week' on
national Dutch Radio 1. Within two months Ya Dunya sold 5.000 copies.
The third NO blues album 'Lumen' is another step in raising Arabicana as
a new genre of heartfelt music with an Arabic soul. It reflects a world
with diminishing boundaries and is a new step in blending people and
traditions without loosing it's integrity. With Lumen, NO blues offers a
glimpse of hope in a hardened world. On this album guest musicians
Raphaela Danksagmüller plays the Duduk and Sophie Cavez ads an Balkan
flavour with the accordion.
On the fourth album 'Hela Hela' Van Meurs, Safia and Van Heuvelen show
that they are true masters of the new genre they created and they
playfully ad an African flavour to the blend. The band takes the
listener on a musical journey across several continents. On this album
you can hear Palestinian guest musicians Morad Khoury on violin, and
Shereene Danial as guest vocalist on the titletrack Hela Hela which is
based on a traditional Arabic work song and an American counterpart.
This is the ultimate fusion work song and an appeal to the world for
working together.
In 2012 NO blues got together and recorded twelve new tracks for a
documentary series about the Arabic revolution. The new songs were
unexpectedly interesting enough to become the next NO blues album. These
instrumental tracks will be released in 2013 on the fifth album, which
will be called 'Kind of NO blues'.
«Έχω πει μερικές φορές στον εαυτό μου ότι αν υπήρχε μία μόνο πινακίδα στην είσοδο κάθε εκκλησίας που να απαγόρευε την είσοδο σε οποιονδήποτε με εισόδημα πάνω από ένα συγκεκριμένο ποσό , θα γινόμουν αμέσως χριστιανή» . Σιμόν Βέιλ, Γαλλίδα φιλόσοφος και πολιτική ακτιβίστρια (1909-1943)
Τρίτη, Μαΐου 28, 2019
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