Modo Antiquo orchestra : "Secular Songs & Dances From the Middle Ages"/Κοσμικά Τραγούδια & Χοροί Από τον Μεσαίωνα

 

 

 

 

 

 

 

 

 

Carmina Burana | 2 CD
Music for the Crusades | 2 CD
Dances from England, France and Italy | 2 CD

Brilliant Classics, 2006
6-CD Box



Modo Antiquo
Elena Cecchi Fedi, soprano | Santina Tomasello, soprano | Lucia Sciannimanico, mezzo-soprano | Paolo Fanciullacci, tenor, reed-pipe, bagpipes, oliphant | Marco Scavazza, baritone, contre-tenor | Federico Maria Sardelli, flutes, shawm, voice | Ugo Salasso, flutes, bagpipes, shawm, Jew's harp | Mauro Morini, slide trumpet | Piero Callegari, slide trumpet, oliphant | Bettina Hoffmann, fiddle, rebec, trumpet marine | Gian Luca Lastraioli, citole, lute, dulcimer | Daniele Poli, harp, lute, symphonia, dulcimer | Annaberta Conti, portative organ | Anna Clemente, portative organ | Luca Brunelli Felicetti, drums, cymbals, bells, dulcimer | Massimo Risaliti, cymbals, triangle, sleigh-bells

«Brilliant Classics has made availabe this 6 disc set of a wide selection of attractive music in truly spectacular performances by Modo Antiquo under Bettina Hoffmann. It's imaginative, vital, energetic, thoroughly musical and really makes the old pieces come alive.»
Thomas W. Gleim

Composer: Traditional
Artists: Elena Cecchi Fedi - soprano
Lucia Sciannimanico - mezzo soprano
Paolo Fanciullacci - tenor, zampogna, ciaramelle, olifante
Modo Antiquo orchestra
Bettina Hoffmann - viella, ribeca, tromba marina and concert master

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 Tracklist: Part I 00:00 Ich was ein chint so wolgetan, CB 185 04:03 Axe Phebus aureo, CB 71 06:38 Bache bene venies, CB 200 11:06 Dulce solum, CB 119 20:54 In taberna quando sumus, CB 196 24:08 Veris dulcis in tempore, CB 85 e 159 27:17 Alte clamat Epicurus, CB 211 e 211° 32:24 Exiit dilucolo rustica puella, CB 90 35:47 Olim sudor Herculis, CB 63 45:31 Virent prata hiemata, CB 151 49:15 Sic mea fata, CB 116 55:41 Walthers ton (da CB 211) 56:59 Tempus transit gelidum, CB 153

 Part II 

01:00:11 Bonus est confidere, CB 27 01:02:50 Nomen a sollempnibus, CB 52 01:06:44 Dic Christi veritas / Bulla fulminante, CB 131/131 01:12:46 O varium fortune lubricum, CB 14 01:17:47 Fas et nefas, CB 19 01:20:55 Veritas veritatum, CB 21 01:23:07 Currit ad vocem, CB 47a 01:24:54 Crucifigat omnes, CB 47 01:28:32 Procurans odium, CB 12 01:30:23 Ave nobilis, CB 11 01:37:29 Ecce torpet probitas, CB 3 01:42:04 Planctus ante nescia, CB 14 01:49:07 Licet ager cum egrotis, CB 8 01:56:14 Celum non animum, CB 15 Part III 02:00:28 

Part III.  Appellatio: Crucifigat omnes 02:03:07 Seignor, sachiez qui or ne s’en ira 02:10:03 La Quinte Estampie Real 02:13:15 Parti de mal et a bien atourné 02:18:29 Chevalier mult estes guariz 02:24:43 De transfretantibus 02:26:27 Au tans plain de felonie 02:30:11 II. Dure Departie: La Seconde Estampie Royal 02:32:12 Tr. 9 à 7'21 02:39:34 Dame, ensinc est qu’il m’en covient aler 02:44:35 A vous, Amors, plus qu’a nule autre gent 02:49:42 Li departirs de la douce contree 02:55:36 Li nouveax temps et maiz et violete 03:03:20 Aler m’estuet la ou je trerai paine Part IV 03:11:36 III. Passagium Laboriosum: Ja nuns hons pris (Roy Richart, «Richard Hearthlion»), Part I. 03:19:54 Ja nuns hons pris (Roy Richart, «Richard Hearthlion»)

Part IV.

 03:21:11 Desolata mater / Que nutritos / Filios enutrivi (from Roman de Fauvel) 03:26:56 Maugré tous sainz et maugré dieu ausi (Huon d’Oisi) 03:28:23 Congregati sunt (Gregorian Chant) 03:31:08 La Quarte Estampie Royal (Anon.) 03:33:31 In gotes namen fara wir (Lutheran Choral) 03:34:29 Chanterai por mon coraige (Guiot de Dijon) 03:42:17 Diro satis percussus vulnere (Riccardo di San Germano) – Tristan’s Lament (Anon.) 03:46:16 Nus ne porroit de mauvese reson (Anon.) 03:49:56 Hierosolyma Caelestis: Ierusalem mirabilis (Hymn) 03:54:48 Nû alrêst lebe ich mir werde (Walter von der Vogelweide) 04:06:17 Nomen a solemnibus (Anon., Carmina Burana 52) 

Part V  

04:10:13 English Dances: Ductia manuscript London, British Library, Harley 978, f. 8v-9r 04:11:36 Petrone manuscript London, British Library, add. 28550 (Robertsbridge Codex), f. 43v 04:16:12 Nota manuscript, Oxford, Bodleian Library, Douce 139 04:18:32 Ductia manuscript London, British Library, Harley 978, f. 9r/I 04:20:32 Ductia manuscript London, British Library, Harley 978, f. 9r/II 04:24:55 Fragment manuscript London, British Library, add. 28550 (Robertsbridge Codex), f. 43r 04:26:40 Ductia manuscript London, British Library, add. 28550 (Robertsbridge Codex), f. 43r 04:33:09 La Prime Estampie Royal 04:36:19 La Seconde Estampie Royal 04:38:23 La Tierche Estampie Roial 04:44:02La Quarte Estampie Royal 04:46:23 La Quinte Estampie Real 04:49:37 La Seste Estampie Real 04:54:08 La Septime Estampie Real 05:00:33 La Uitime Estampie Real 05:03:35 Dansse Real 05:06:51 [without title] 05:14:13 Danse

 Part VI 

 05:16:22 Ghaetta 05:20:40 Saltarello (2) 05:22:12 La Manfredina, Rotta della Manfredina 05:22:32 Chançoneta Tedescha (2) 05:27:41 Isabella 05:32:15 Saltarello (4) 05:34:33 Saltarello (3) 05:37:36 Chançoneta Tedescha (1) 05:42:30 Chançoneta Tedescha (4) 05:45:30 Principio di virtù 05:51:51 Dança amorosa, suo Troto 05:55:11 Chominiciamento di Gioia 06:01:00 Chançoneta Tedescha (3) 06:05:04 Trotto 06:06:54 Bel fiore dança 06:09:48 Lamento di Tristano, sua Rotta

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