Johan Joseph Zoffany, RA (1733-1810) was a German neoclassical painter,
active mainly in England, Italy and India. His works appear in many
prominent British collections such as the National Gallery, London, the
Tate Gallery and in the Royal Collection, as well as institutions in
Europe, India, the United States and Australia.
Of noble Hungarian and Bohemian origin, Johan Zoffany was born near
Frankfurt on 13 March 1733, the son of a cabinet maker and architect in
the court of Alexander Ferdinand, 3rd Prince of Thurn and Taxis. He
undertook an initial period of study in a sculptor's workshop in
Ellwangen in the 1740s and later at Regensburg with the artist Martin
Speer. In 1750, he travelled to Rome, entering the studio of Agostino
Masucci. In autumn 1760 he arrived in England, initially finding work
with the clockmaker Stephen Rimbault (Zoffany's fine portrait of whom is
now in the Tate Gallery), painting vignettes for his clocks.
By 1764 he was enjoying the patronage of the royal family, King George
III and Queen Charlotte, for his charmingly informal scenes such as
Queen Charlotte and Her Two Eldest Children (1765), in which the queen
is shown at her toilette, with her eldest children, inside Buckingham
House, and another, outdoors, with her children and her brothers. He
also was popular with the Austrian Imperial family and in 1776 was
created "Baron" by Empress Maria Theresa.
A founding member of the new Royal Academy in 1768, Zoffany enjoyed
great popularity for his society and theatrical portraits, painting many
prominent actors and actresses, in particular, David Garrick, the most
famous actor of his day – Garrick as Hamlet and Garrick as King Lear –
often in costume. He was a master of what has been called the
"theatrical conversation piece", a subset of the "conversation piece"
genre that arose with the middle classes in the 18th century. Zoffany
has been described by one critic as "the real creator and master of this
genre".
Zoffany spent the years 1783 to early 1789 in India, where he painted
portraits including the Governor-General of Bengal, Warren Hastings, and
the Nawab Wazir of Oudh, Asaf-ud-Daula; an altarpiece of the Last
Supper (1787) for St John's Church of England, Calcutta; and a vibrant
history painting, Colonel Mordaunt's Cock Fight (1784–86) (Tate),
described by historian Maya Jasanoff as ‘easily the liveliest
illustration of early colonial India’. In the usual way, he sired
several children by an Indian mistress, or ‘uppa-patni’. Returning to
England, he was shipwrecked off the Andaman Islands. The survivors held a
lottery in which the loser (a sailor) was eaten. William Dalrymple
describes Zoffany as having been "the first and last Royal Academician
to have become a cannibal".
Around the age of 27, Zoffany married the daughter of a court official
in Würzburg. She accompanied him to London but returned to Germany
within a decade or so. Zoffany left for Florence in 1772, followed by
young Mary Thomas, the daughter of a London glovemaker, who was carrying
his first child. Whether they married in Europe is uncertain, though
Zoffany's portrait, Mary Thomas, the Artist’s second wife, c1781-82,
shows her wearing a wedding ring. Following the death of his first wife
in 1805, Zoffany married ‘Mary Thomas … Spinster’ in accordance with
Church of England rites.
Zoffany and Mary Thomas had five children, including a son who died
tragically in infancy, and four daughters. Their second daughter,
Cecilia (1779–1830) was involved in a well-publicised child custody case
in Guernsey in 1825. Zoffany died at his home at Strand-on-the-Green on
11 November 1810. He is buried in the churchyard of St Anne's Church,
Kew. The painters Thomas Gainsborough and Joshua Kirby are
coincidentally buried nearby.
A 2014 book by David Wilson describes Zoffany's relationship with Robert
Sayer (1725–94). A leading publisher and seller of prints, maps and
maritime charts in Georgian Britain, based in Fleet Street, London,
Sayer organised the engraving of paintings by some leading artists of
the day, most importantly Zoffany, and sold prints from the engravings.
In this way, he helped to secure Zoffany's international reputation.
Sayer and the artist became long-standing friends as well as business
associates. In 1781 Zoffany painted Robert Sayer in an important
‘conversation piece’. The Sayer Family of Richmond depicts Robert Sayer,
his son, James, from his first marriage, and his second wife, Alice
Longfield (née Tilson).
Behind the family group is the substantial villa on Richmond Hill
overlooking the River Thames, built for Sayer between 1777 and 1780 to
the designs of William Eves, a little known architect and property
developer. On Sayer's death in 1794 the house was to become the
residence of a future king of Great Britain.
«Τέσσερα χρόνια αφότου εξαπέλυσε μια άνευ προηγουμένου επίθεση στη δημοκρατία και άφησε τον Λευκό Οίκο ντροπιασμένο, ο καταδικασμένος εγκληματίας και δύο φορές κατηγορούμενος πολιτικός θα επιστρέψει στην Ουάσιγκτον, D.C., ως ο 47ος πρόεδρος των Ηνωμένων Πολιτειών»(Vanity Fair, digital magazine)
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