Wladimir Baranoff-Rossine
(1888 – 1944)
In 1902 he studied at the School of the Society for the Furthering of the Arts in St. Petersburg. From 1903 to 1907 he attended the Imperial Academy of Arts in St. Petersburg.
In 1908 he exhibited with the group Zveno (“The Link”) in Kiev organized by the artist David Burliuk and his brother Wladimir Burliuk.
In 1910 he moved to Paris, where until 1914 he was a resident in the artist’s colony La Ruche together with Alexander Archipenko, Sonia Delaunay-Terk, Nathan Altman and others. He exhibited regularly in Paris after 1911.
He returned to Russia in 1914. In 1916 he had a solo exhibition in Oslo. In 1918 he had exhibits with the union of artists Mir Iskusstva (“World of Art”) in Petrograd (St.Petersburg). In the same year he had an exhibition with the group Jewish Society for the Furthering of the Arts in Moscow, together with Nathan Altman, El Lissitzky and David Shterenberg. He participated at the First State Free Art Exhibition in Petrograd in 1919.
In 1922 Baranoff-Rossine was the teacher at the Higher Artistic-Technical Workshops (VKhUTEMAS) in Moscow.
In 1924 he had the first presentation of his optophonic piano during a performance at the Bolshoi Theatre in Moscow – a synaesthetic instrument that was capable of creating sounds and coloured lights, patterns and textures simultaneously.
In 1925 he emigrated to France.
Continuously experimenting, Baranoff-Rossine applied the art of colour to military art with the technique of camouflage or the Cameleon process and this was marketed with Robert Delaunay. Baranov-Rossine is credited as an author of pointillist or dynamic military camouflage. He also invented a “photochromometer” that allowed the determination of the qualities of precious stones. In another field, he perfected a machine that made, sterlized and distributed fizzy drinks, the “MULTIPERCO”, and this received several technical awards at the time.
During the German occupation Baranoff-Rossine was deported to a German concentration camp and died there.
Η ΒΙΟΓΡΑΦΙΑ ΚΑΙ ΤΑ ΣΩΖΟΜΕΝΑ ΕΡΓΑ ΤΟΥ ΚΑΛΛΙΤΕΧΝΗ
- Βiographie
- Musées - Museums
- Contre relief (1915)
- Composition Abstraite (1910)
- La forge (1911)
- Sculpture Polytechnique (1933)
- Symphonie n°1 (1913)
- le village (1916)
- L'espagnole (1919)
- Monsieur X (1918)
- Composition abstraite 1917 Musee Saratov
- Rosa (1910)
- Composition 1917 Galerie Tretiakov Moscou
- La table mauve (1912) Wladimir Baranoff Rossine Museum Ludwig Cologne
- Ventes Publiques - Auctions
- Expositions - Exhibitions
- Bibliographie - Bibliography
- Collections privées (1) - Private Collections
- Origines des collections privées - Private collections sources
- Formes abstraites (1925)
- La table a la conque (1910)
- Hiver à Saint Petersbourg (1907)
- Autoportrait (1913)
- Le Jugement de Pâris (1928)
- Le martyr de Saint Denis (1932)
- Paysage d'Odessa (1905)
- Formes (1934)
- Formes abstraites (1925)
- Le coq (1911)
- Eve au chat (1911)
- La maternité (1932)
- Maisons sur le Don (1907)
- Collections privees (3)
- Le lac aux cygnes (1907)
- Saint Pertersbourg sous la neige (1907)
- Peniches sur le Dniepr (1905)
- L'arbre à l'arc en ciel
- Le parc (1909)
- Saint Petersbourg en hiver (1907)
- Adam et Eve (1912)
- Maison d'Odessa (1909)
- La charge de la cavalerie (1905)
- Isadora Duncan (1927)
- Composition abstraite (1913)
- Lady Chatterley (1932)
- Femme nue (1925)
- Les chevaux (1925)
- Femme nue (1925)
- Formes abstraites (1925)
- Formes abstraites (1925)
- Collections privees (4)
- La route (1912)
- Le pope (1905)
- La carriere (1912)
- Vase de fleurs (1911)
- Femme nue et musiciens (1911)
- La cousine (1910)
- La cousine aux fleurs (1911)
- La soeur de l'artiste (1908)
- Autoportrait peintre au pinceau (1906)
- La grand mere (1913)
- Eve (1932)
- La danse Isadora Duncan (1927)
- Collections privees (5)
- La gouvernante (1907)
- Nature morte a la chaise (1911)
- Paysage des environs de Kherson (1907)
- Baigneuse (1913)
- Maison au bord de la riviere (1913)
- Paysage (1909)
- Apocalypse bleue (1911)
- Tete d'Eve (1932)
- Femme a la potiche (1924)
- Formes abstraites (1927)
- Composition abstraite (1928)
- Collections privees (6)
- Ecole des cadets (1903)
- Kiosque dans le parc (1904)
- Apocalypse (1911)
- Christ (1914)
- Centaure (1920)
- Formes (1933)
- Formes (1925)
- Composition abstraite (1928)
- Cote corse (1925)
- Paysage corse (1925)
- Le fils du peintre Michel (1935) - Artist's son Michel (1935)
- La femme et le fils du peintre (1935) - Artist's wife and son
- La fille du peintre Tatiana (1940) - Artist's daughter
- Vase de fleurs (1942)
- La femme du peintre Pauline Baranoff-Rossine (1925)
- Piano Optophonique
- Disque optophonique
- Exemple d'un effet dynamique du piano optophonique - Dynamic sample effect optophonic piano
- Galerie d'effets statiques - Statical gallery effects
- Effet statique 3 Piano optophonique -Statical effect 3 optophonic piano
- Effet statique 6 piano optophonique - Statical effect 6 optophonic piano
- Effet statique 7 piano optophonique - Statical effect 7 optophonic piano
- Effet statique 8 piano optophonique - Statical effect 8 optophonic piano
- Effet statique 13 piano optophonique - Statical effect 13 optophonic piano
- Effet statique 14 piano optophonique - Statical effect 14 optophonic piano
- Effet statique 15 piano optophonique - Statical effect 15 optophonic piano
- Effet statique 9 piano optophonique - Statical effect 9 optophonic piano
- Effet statique 10 piano optophonique - Statical effect 10 optophonic piano
- Effet statique 11 piano optophonique - Statical effect 11 optophonic piano
- Optophonie
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