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Jan van
Eyck (or Johannes de Eyck) (Dutch pronunciation: [ˈjɑn vɑn ˈɛjk]) (before c. 1395 -- before 9 July 1441) was a Flemish painter active
in Bruges and is generally considered one of the most significant Northern
European painters of the 15th century. The few surviving records indicate that he was
born around 1390, most likely in Maaseik. Little is known of his early life,
but his activities following his appointment to the court of Philip the Good c.
1425 are comparatively well documented. Van Eyck had previously served John of
Bavaria-Straubing, then ruler of Holland, Hainault and Zeeburg. By this time
van Eyck had assembled a workshop and was involved in redecorating the
Binnenhof palace in The Hague. He moved to Bruges sometime around 1425 and there
came to the attention of Philip the Good. He served as both court artist and
diplomat and became a senior member of the Tournai painters' guild, where he
enjoyed the company of similarly esteemed artists such as Robert Campin and
Rogier van der Weyden. Over the following decade van Eyck's reputation and
technical ability grew, mostly from his innovative approaches towards the
handling and manipulating of oil paint. His revolutionary approach to oil was
such that a myth, perpetuated by Giorgio Vasari, arose that he had invented oil
painting.[1][2]
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